Romuald Hazoumè is one of Africa’s foremost contemporary artists and a master of diverse forms of media. Hazoumè creates masks, photographs, paintings, sculptures and multi-media installations that include sound and video components. Using the ubiquitous plastic petrol-can as his unmistakable iconic signature, Hazoumè, during his artistic career, has created a series of monumental installations that act as metaphors of African place, history, and identity. Whether taking aim at endemic political corruption in Africa or addressing the global indifference compounding environmental disasters, Hazoumè creates visually striking works capable of compressing bewildering details into complex, yet nuanced metaphors that contain many powerful ideas. Hazoumè was the Arnold Bode prize-winner at documenta 12, and his work has been shown in major international galleries and museums, including the British Museum, London, the Metropolitan, New York, GOMA, Brisbane, NMAfA, Washington DC and most recently the Kunsthaus Graz, Austria.